От игровых платформ к большому экрану: трансмедиация франшизы Tomb Raider (1996-2013)
Abstract
Given the growing interest in video games and the expansion of the video game industry, this study aims to identify strategies, tools and methodological approaches that facilitate the successful adaptation of video games into different media platforms. The analytical model of Gambarato/Alzamora/Tarcia serves as the methodological framework of the study. The findings provide new insights into the field of transmedia and video game adaptation, which may be useful for researchers and practitioners in the field of multimedia content creation and franchises.
Downloads
References
Лапина-Кратасюк, Е. Г. (2020). Осень трансмедиа. Шаги/Steps, 4(6), 306–314.
Aarseth, E. (2012). A Narrative Theory of Games. Proceedings of the International Conference on the Foundations of Digital Games, 129–132. https://doi.org/10.1145/2282338.2282365
Aarseth, E. (1997). Cybertext: Perspectives on Ergodic Literature. The Johns Hopkins University Press. https://doi.org/10.1177/135485659800400312
Amaral, O. (2021). Video Game to Movie Adaptations: The Role of Narratives. Honors Theses - Providence Campus, 45. https://scholarsarchive.jwu.edu/student_scholarship/51/
Bordwell, D. & Thompson, K. (2010). Film art: An introduction (8th ed.). McGraw-Hill.
Gambarato, R. (2014). Transmedia storytelling in analysis: The case of Final punishment. Journal of Print and Media Technology Research, 95–106.
Gambarato, R. & Tárcia, L. (2017). Transmedia strategies in journalism: An analytical model for the new coverage of planned events. Journalism Studies, 18(11), 1381–1399. https://doi.org/10.1080/1461670X.2015.1127769
Gambarato, R., Alzamora, G. & Tárcia, L. (2020). Theory, Development, and Strategy in Transmedia Storytelling (1st ed.). Routledge.
Gutiérrez, P. (2013). Vicarious Play and the Paradox of the Video Game Movie. Screen Education, 71, 38–43.
Harvey, C. (2015). Fantastic transmedia. Narrative, play and memory across science fiction and fantasy storyworlds. Hampshire: Palgrave Macmillan.
Hutcheon, L. (2013). A Theory of Adaptation (2nd ed.). Oxon: Routledge.
Jenkins, H. (2006). Convergence Culture: When Old and New Media Collide. New York University Press.
Jenkins, H. (2006). Convergence Culture. New York University Press.
Jenkins, H. (2003). Game Design as Narrative Architecture.
Jenkins, H. (2010). Transmedia storytelling and entertainment: An annotated syllabus. Continuum, 24(6), 943–958. https://doi.org/10.1080/10304312.2010.510599
Moore, M. R. (2010). Adaptation and New Media. Adaptation, 3(2), 179–192. https://doi.org/10.1093/adaptation/apq010
Murray, J. (1999). Hamlet on the Holodeck. MIT Press.
Nae, A. (2019). Salvaging Patriarchy in the 2018 Film Adaptation of Tomb Raider. English Literature, 6(1), 127–140. https://doi.org/10.30687/EL/2420-823X/2019/01/007
Payne, M. & Frank, D. (2013). Transmedia Play.
Pratten, R. (2015). Transmedia Storytelling: A Practical Guide for Beginners (2nd ed.). CreateSpace Independent Publishing Platform.
Ryan, M-L. (2006). Avatars Of Story. University of Minnesota Press.
Ryan, M-L. (2009). From Narrative Games to Playable Stories. StoryWorlds, 1, 43–59. https://doi.org/10.1353/stw.0.0003
Sydney, B. (2020). The Art of the Game: Issues in Adapting Video Games.
