Performative Practices as a Tool of the Avant-Garde Image Formation of Einstürzende Neubauten
Abstract
The article focuses on the visual aspects of the performative practices of Einstürzende Neubauten, which largely determined the perception of the band as representatives of neo-avant-garde. The author investigates the ways the avant-garde strategies and representations of the group become a means of combating medialization, contemporary art, and avant-garde heritage itself.
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References
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