Handel's Operas in the Context of Modern Stage Direction: on the Question of Implementing the Cinematography Composition Principles in an Opera Play
Abstract
The article is based on the authors' attending modern performances of Baroque operas by Georg Friedrich Handel (1685-1759) in 2019, in the theaters of three German cities: Halle, Bad Lauchstädt and Bernburg. The first, which is the composer’s birthplace, annually hosts the international Handel music festival, dedicated to the study of the great Saxon’s and his contemporaries’ works. The concept of the festival in 2019 was related to the study of female characters represented in Handel’s operas: "Handel's women – sensitive, heroic, sublime".
Comprehending the considered scientific and artistic concept, the authors come to the conclusion that the possibilities of directors’ interpretations of ancient operas have significantly expanded due to the incorporation of composition principles of cinematographic editing and expressive means of modern, primarily screen arts into both musical and stage dramaturgy. To study this phenomenon, we used a scientific apparatus developed in Russian science by Lev Vygotskij, who, exploring the fiction literature protagonist’s spiritual world, revealed his psychological contradictions, expressed as the conflict between plot and story, and by Sergey Eizenshteyn, who, knowing well Vygotskij’s manuscript of "Psychology of art" and influenced by his ideas, created his own "psychology of art", presented on the pages of his works from various years.
In this article, revealing the essence of processes mentioned above gave its authors an opportunity to see, in the interpretations of Handel's operas by German directors, a "building of meaning" phenomenon, produced by merging of the two seemingly irreconcilably conflicted layers of consciousness: the Baroque – and the modern, that has developed over the last century.
Downloads
References
Birnbaum, С. (2018, November 21). 2019 Handel Festival: “Sensitive, Heroic, Sublime – Handel’s women”. REMA. http://www.rema-eemn.net/news/events/604-2019-handel-festival-sensitive-heroic-sublime-handel-s-women
Bowdler, S. (2018, May 27). A bizarre Berenice at the Halle Handel Festival. Bachtrack. https://bachtrack.com/review-berenice-biganzoli-lichtenstein-handel-halle-may-2018
Bowdler, S. (2019, June 14). Festkonzert with Carolyn Sampson: Handel’s Heroines. Bachtrack. https://bachtrack.com/review-handel-festival-halle-sampson-brough-the-kings-consort-king-june-2019
Burrows, D. (2012). Handel. The Master Musicians. Oxford University Press.
Ćurković, I. (2019, July 1). Handel Festival Halle 2019. BSECS. https://www.bsecs.org.uk/criticks-reviews/handel-festival-halle-2019/
Ehrnrooth, A. (2018). Berenice finally conquers Händel festspiele. ACGE. https://www.acge.net/tag/samuel-marino/
Eisenstein, S. M. (1998). Chetvyortoye izmerenie v kino [The Fourth Dimension in Cinema]. In S. M. Eisenstein (Ed.), Montazh (pp. 45–63), [Mounting]. VGIK. [In Russian].
Eisenstein, S. M. (1980). Psihologiya iskusstva (neopublikovannye konspekty statyi i kursa lektsiy). In S. M. Eisenstein (Ed.), Psihologiya protsessov hudozhestvennogo tvorchestva (pp. 173–203), [Psychology of Art (Unpublished Summaries of the Article and a Course of Lectures). Psychology of Artistic Creativity Processes]. Nauka. [In Russian].
Eisenstein, S. M. (1964). Neravnodushnaya priroda [Caring nature]. In S. M. Eisenstein (Ed.), Izbrannye proizvedeniya v shesti tomah (pp. 5–30), [Sergei Eisenstein’s Aesthetics. Selected Works in Six Volumes]. S. I. Yutkevich (Chief Ed.), Vol. 3. Iskusstvo. [In Russian].
Fedoseev, I. S. (1996). Opernoe tvorchestvo G. F. Gendelya [Opera works of G. F. Handel]. Сhelovek i nauka [Human and science]. http://cheloveknauka.com/opernoe-tvorchestvo-g-f-gendelya [In Russian].
Freilikh, S. I. (1964). Estetika Eisensteina. In S. M. Eisenstein (Ed.), Izbrannye proizvedeniya v shesti tomah (pp. 5–30), [Sergei Eisenstein’s Aesthetics. Selected Works in Six Volumes]. S. I. Yutkevich (Chief Ed.), Vol. 3. Iskusstvo. [In Russian].
Handel & Hendrix in London. (n.d.). Atalanta. https://handelhendrix.org/learn/about-handel/opera-synopses/atalanta/
Konson, G. R. (2018). The Paintings of Ilya Glazunov through the Prism of the Methodologies of Sergei Eisenstein and Lev Vygotsky. Nauka Televideniya [The Art and Science of Television], 14(4), 63–86.
Konson, G. R. (2019). The Paintings of Ilya Glazunov through the Prism of the Methodologies of Sergei Eisenstein and Lev Vygotsky. Nauka Televideniya [The Art and Science of Television], 15(1), 30–105.
Lang, P. H. (1966). George Frideric Handel. (W. C. Holmes, Ed.). Dover Publications Inc.
Polianskaya, А. (2019, April 2). London Handel Festival challenges “stuffy” image of classical music. Design Week. https://www.designweek.co.uk/issues/1-7-april-2019/london-handel-festival-classical-music-rebrand
Shakko, (2019, June 03). Posttravmaticheskij sindrom v zhivopisi [Post-traumatic syndrome in painting]. Livejournal. https://shakko.ru/1404652.html?utm_source=nc&utm_medium=interesting
Thraves, L. (2018, September 20). 2019 London Handel Festival will focus on ‘divas’. Rhinegold Publishing. https://www.rhinegold.co.uk/classical_music/2019-london-handel-festival-will-focus-divas
Vygotskij, L. S. (1968). Psihologiya iskusstva [Psychology of Art]. Iskusstvo. [In Russian].
Warszawski, J.-M. (2019, June 16). Au dernier jour du festival Händel de Halle. Musicologie. https://www.musicologie.org/19/au_dernier_jour_du_festival_haendel_de_halle.html