Listening as a Spatial Practice: Sound and the Affective Architecture of Exhibitions
Abstract
This article examines listening as a spatial practice, shaping the emotional atmosphere of modern exhibitions. It focuses on generative sound environments, which act not merely as background elements but as active agents influencing visitors' movement, attention, and emotional responses. Sound is seen as a procedural and atmospheric force, creating spatial tonalities and guiding body orientation. Generative audio systems are analyzed as dynamic tools, forming adaptive acoustic fields that respond to both audience behavior and architectural nuances. The case study reveals that these systems enhance curatorial possibilities, transforming exhibition spaces into dynamic, interactive, and multi-layered environments. The article underscores the importance of considering sound as a crucial element of set design. It can evoke emotions, direct attention, and create conditions for deep, embodied engagement in the museum experience.
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